Using the DJI Pocket 2 in an unconventional way

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This is me in an ectoplasm version, having plenty of ghostly fun with my new camera.
My husband and I gave ourselves a Christmas gift in advance: the new DJI Pocket 2: a tiny pound of pocket-size camera with a great sharp sensor and a gimbal head allowing absolutely smooth 4K video clips at a very affordable price.

But I’m not going to describe the characteristics of this great new gadget here, you can find much more on YouTube and on specialized reviews. As I am not particularly fond of movies (I like still pics much more) I wondered if this pocket-size camera could replace in some way my good old one.
No sooner said than done, I began taking shoots outdoors and indoors with both and then comparing the outcomes.

My first images were accepted at Adobe, Alamy and Arcangel without arching a brow.

Voilà some of them:

Not bad at all 🙂

One promising alternative to the self-hosted site: Picfair

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I always hear the same refrain: yes, they are fair indeed, pity though that they don’t sell much…
Actually so far my experience at Picfair had been… fair: for a few years I’ve been putting every now and then some images there, having three or four sales promptly paid in the meantime.

But times seem to be changing, and I decided that I need a personal photo website. I would know pretty well how to set up one myself, but for a small yearly fee Picfair offers me the possibility to have it under my own name, and as a very nice bonus also to sell my pictures as prints/posters/framed. So why not to give it a try?

So be it: luisafumi-photography.com
The presentation of the images is very good, and I can (beside having an URL of my own by them):
– sell prints,
– make albums and feature one on the first page,
– have a local search engine,
– create a splash page with a picture I love
– add external links to the menu (to my blog here, to my other website vintage-nostalgia.com, etc.)
– have a personal watermark. I retained the Pifair standard one, very well thought and designed, also because I am happy to be there in excellent company, as I find the overall Picfair image quality astonishingly high.

Time will tell if such a decision will be fruitful – now it is to early to make a reliable forecast about the destiny of the photo market at all.

Just few days after my new Picfair installation I was rewarded with a pleasant surprise: my first print sale, my splash image! A good omen and a nice startup.

SPLASH-PICFAIR-600 by luisa fumi.

Microstock Armageddon?

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Find you niche(s)!

I fear that Shutterstock has given the final blow to the microstock photos market with their unilateral action, by reducing drastically the contributors royalties to 10 cents/picture – promising more for big amounts of uploads and sales, but resetting the contributor at the beginning of each year – that is, forcing her/him to start from scratch @10 cents/sale, and thus humiliating legions of outraged submitters.
And I also fear that this deliberate act is actually a farsighted move: the SS people must have realized that the time was ripe to grab as much as possible before going out of business.
Just look around: the websites offering high res images for free are rapidly growing and some of their pictures are really beautiful, also considering that today’s smartphones are growing better endowed than most photographers.

What to do now?
I’m thinking of two possibilities:

1. Business is business: to upload all of one’s images on all agencies that sell (if just a little) in exchange for a decent (if just a little) royalty, and to hope for the best.
Alas, there is a heavy drawback about it, tough: a couple of years ago I withdrew almost all my images belonging to a particular well-selling niche from the less profitable agencies. As it happens, it proved to be a blatantly fortunate manoeuver: my sales at Alamy and Adobe more than doubled immediately. And they keep growing.
This way I understood that I was my own cheap competitor. When 123RF contacted me on behalf of a customer about a deleted image of mine, I told them that I was really sorry and explained candidly my problem. Quite surprisingly they accepted my point of view and respected it.

2. To accept the change without moaning and make plans. To leave and to upload your images on the trustworthiest agencies, but to keep aside the best ones and find other more profitable ways to sell them.

Still I think that the idea of a personal stock agency is worth a thought or three anyway – no matter if self-hosted or not: there are several alternatives on the market and at least two of them are very affordable (I’ll tell about them in a next post).
It could turn into a precious show-window for the images you like too much to give them away cheap.

At this point it wouldn’t surprised me to witness a revival of many curated niches over the mass cauldron.
Since many years I’m not only a contributor, but on behalf of my web customers also a microstock buyer, and as such I’m perfectly aware that my behaviour doesn’t deviate much from the vast majority of buyers, who statistically give up after the second page the local search engines produce.
And what with the tenths of millions of images stored by the agencies? Dead, almost completely dead.

Nowadays selling microstock is like winning a prize at a cheap lottery called “search engines”: partially random, partially influenced by hidden rules and only marginally based on the actual, hard-labored keywording.

What’s the point of such zillions of dead images, when just a few thousands of high-quality pictures, if well presented and properly selected, could make a really huge difference?

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